Category Archives: Uncategorized

Hive by Teeth Of The Sea

Those destructive builders of rotted joy are back. You may call them anything you like but to us they are the optimum. In 21C music they are the yardstick you must judge other bands against. If a band is operating at 20% Teeth Of The Sea they are doing well.

And the boys are back. A new Teeth Of The Sea album is like awaiting the cyclical return of a shape shifting Lovecraftian monster. One year it comes in the form of a ginormous carnivorous squid with a beak made of metal. This year it comes with a thousand eyes and a thousand mouths eating candy floss made with E.

https://teethofthesea.bandcamp.com/album/hive

Hive is the return. It is a concept album based on….. Let us tell you it is less noir-y than Wraith, less warlike than Tarantula. Less sprawling death scape than MASTER. But that’s what it is not. What is it? It is the lightest and most playful TOTS album yet. It is more overtly beautiful. The bangers are front loaded for your pleasure. There are little bubbles of airless dub. The ambient second half is like sleeping on silk sheets. There is lots of trumpet for all you Teeth trumpet heads. The magnificent lode stone is ‘Butterfly House’, a huge slab of electro pop, like the carapace of a golden insect the size of the Brooklyn Bridge. The introduction of vox from Kath Gifford may seem like inconoclasm but on listening it’s like entering a parralel world where Teeth Of The Sea never made instrumentals.

This is the TOTS more likely to come and play at a 5 year olds birthday party, assuming your 5 year old reads Frank Herbert and loves dance floor post rock.

The monster is back and this time is dressed as both Ferry and Eno and feeling fine and frisky. Make hay while the sun shines. Next time we may not be so fortunate. We puny humans. Let us commence building the statues and the making of votive offerings.

Kat Bryan presents Armour

A plaintiff pulsebeat throbs as the synths transport you to another, delicious place, to a familiar frequency. As if you’re through the looking glass, as if somewhere on the other side of never, Sigur Ros body swapped with Moroder and made power ballads for blockbusters made in the golden hour.

Or could it be the vibe of a techno thriller? Kat’s vocals are dripping neon against a Tokyo backdrop. A voice transmits a soul. The city collapses as it shimmers.

Or maybe OMD popped pills and drank Sunny D.

‘Armour’ is the lead single from the brand new EP Luna.

https://katbryan.bandcamp.com/album/armour

If you like this, check out this album of space age electro bangers Kim Boekbinder – The Sky Is Calling (2013)

Teeth Of The Sea in Cities Of Gold

Behold the illusiom, tangible between your fingers. Like a dream that intrudes your waking life. Slices of electro like greased pastrami. Soundscapes of vistas from The Warriors. There’s Knight Rider smashing through an arcade while Michael Knight does Can-D.

We’re talking 80s futurism, peeps. We’re talking ghost poetry, p33ps. We’re talking fleeting interactions with time as this song could loop insight inside and out and dissappear or expand beyond reason. We’re talking music to make you dance and make you quiver in fear. As always, Teeth Of The Sea are all things at once. They set it off. Your all in. Are you all in? Your all in. This is Cities Of Gold. They are. You are. Capitulate.

https://teethofthesea.bandcamp.com/track/cities-of-gold

Pillowland by Jam City

Outside the poses, lost in a dream, those fragmentary thoughts. Through the riptides and beyond the pale.

These clattering noises, of a dub power pop. Twisted like colours through the window of a washing machine. Glitched like a broken ////%%%%%

The Associates play SNES while eating bananas encrusted with rusty razor blades. Entire genres get forced down a swirling plug role. Electro is demolished and reinforced. All times happen at once. Guitars scratch like birds of paradise pecking magic mushrooms. An anime theme wanders by and tickles you. Blade Runner vents spit raspberry.

It’s chill out and ants in yer pants twitchy ADHD. Restless like horses jonesin for a fix on the carousel.

A peace is being broken between the nature dub of Forest Swords and the fuck-these-drugs-are-the-shit electro of Savant.

Intelligent pop music that breaks it’s diamond form with a hammer, re-grows, then breaks itself. In a loop, music is both glue and acid. An album that fights itself. The stronger the pop music gets the closer to the edge it teeters. Edging itself. You know what I mean.

https://jam-city.bandcamp.com/album/pillowland

https://www.normanrecords.com/records/184498-jam-city-pillowland

LoskInTheBosk: ‘La Tela Di Gaia’

Somewhere in a forest clearing, in which faeries dwell, there are cowboys on a quest for gold.

These are the vibes shimmered by LoskInTheBosk and their debut single ‘La Tela Di Gaia’; this is Italian pop music with fast acoustic guitars racing round hairpin curves like a sleek red roadster, folky flutes, and fast vocals, all in all like a badass anime kickback.

Set around two spinning acoustic guitars, ‘La Tela Di Gaia’ rotates and pivots like a maze that fights back. Here at colourhorizon we love it when acoustic guitars are played fast to stir the blood, such as the mighty Rodrigo y Gabriela. Here the guitars careen and holler. Action is denoted, suggested and supplied.

Meanwhile a delicious pop melody slips through the gaps to take you to a sunny place.

Managing to straddle drama and excitement, ‘La Tela Di Gaia’ combines the pastoral with the action packed.

https://open.spotify.com/track/1jpcsm9XfY9XkftpS7VLAP

Synthetic Villains Xmas Album

Tis the season to be jolly… Richard James Turner returns as Synthetic Villains and this time it’s festive.

Without a hint of irony, but with a dollops of love, Richard has made for us a Xmas album. Oh how passe, one might think, as staid as Mary Poppins on Xmas Eve. But no worry, as sure as Saint Nick will squeeze his magical bottom down the chimney, Richard has invested his album with invention, charm and mastery.

Alongside his own compositions, there are a sleigh load of covers of the old classics, those songs that last the generations. For me this is where the album shines: in particular his ‘God Rest Ye Merry Gentlemen’ and ‘We Three Kings’ are particularly delightful, all shimmering elan. ‘We Three Kings’ has a snaking guitar lead that turns it into a charming garage rocker, ready for Mark E Smith guest vocals, when Mark rises on Easter Sunday. ‘God Rest Ye… ” has the lolloping gait of Ealing Comedy hi-jinks, George Cole’s on the make again.

His ‘Carol of the Bells’, known to this humble writer as that song from Home Alone, is transformed into a darkly hauntological John Carpenter inspired chiller. Perfect for a Xmas creepy movie.

The pleasing thing is while there is electro aplenty here this is not really an electronic instrumental album, there are more of those on bandcamp than unwanted Vienetta’s in the North. Make no mistake, Richard is a guitarist first before all things and the focus of each song is his Fender Mustang. A Tom Verlaine disciple, Richard has made a guitar album with electro adornments, not the other way around. He has a guitarists eye and world view.

https://syntheticvillains.bandcamp.com/album/christmas-album

Neither Could Dylan – Happy

An acoustic lament announces the arrival of Neither Could Dylan, the re-branded and reborn Crooked Forest. Happy? Not from the sound of it. This song is the representation of some poor swine press ganged into servitude upon some storm tossed galleon in pursuit of Napoleon. Its folky in a death knell manner. But what’s that hollering? It’s the old deck hands fucked on rum. The best thing about Neither Could Dylan /Crooked Forest is when she launches into rambunctious /billious drunken folk-punk smash ups. There’s a splash of The Pogues and a less bone headed variant of some of that Irish strained lout rock that did the rounds a few years ago smearing bagpipes on The Departed. When NCD does it is smarter, tougher and more authentic. NCD has a Strummer vulnerability mixed in when she brings the noise.

https://neithercoulddylan.bandcamp.com/track/happy

#Folk sorta #Shoegaze sorta #punk sorta

24 Hour Party People: The Beat of the Show

The best way to recount what happened at a party isn’t to tell a story about it; it’s to throw a similar party and invite people to that. So the lesson is: if you want to tell people the story of the last night of the Hacienda, you need to host the last night of the Hacienda, and film that. Logical? When did logic play a part in Factory Records?

24 Hour Party People, a lodestone for Manchester music, is a movie which told the story of Tony Wilson, Ian Curtis and Shaun Ryder. Or did it? What sort of movie is 24HPP?

It’s a biopic with a fleeting, flirting, disrespectful relationship with fact, truth and accuracy. It could be said it treats its three subjects at best with disdain and mockery, and at worst with a level of respect just not fitting. This is to miss the point though as 24HPP isn’t really a biopic of three people. It is not a Classic Rock article.

So if not a biopic, what then? In the Empire top 100 British movies, they refer to the movie as a comedy. It isn’t. It’s funny, very funny, and has well written lines. But being funny doesn’t make a movie a comedy. 24HPP is a mirror image of life. Life isn’t a comedy, but has funny things in it.

So what is it? 24HPP is a love story. Although they might be the central characters, the movie is not about Wilson, Curtis and Ryder. It is about music, friendship and drugs, and the love generated when those three elements join. It’s the love of a city, that found itself for a time, as the cultural hub of the world, until Oasis took too much coke. The movie ends on a roof with friends sat around chatting, passing a spliff. They know they have done special things but not the how or why. It’s the real Wilson’s fave scene. Wilson knew what it was about.

When Control rolled around in 2007 it seemed to offer the “serious” retelling of the story. But its black and white ornate vision is so curated and stylised it reduces the story to the level of a chocolate box historical. Control treats its subjects like stars: cold, distant and frigid. Only 5 years separated the two movies but it might as well be a life time. Control feels as distant from Joy Division as Shakespeare felt from Caesar. Control is happy touching from a distance. Control is content to tell the story of the myth of Joy Division.

As Wilson himself always said: “trust the art, not the artist”, in following Wilson’s advice, 24 Hour Party People acts as embodiment of what he stood for, a piece of art, as flawed as most of the artists he championed.

The World Of G-Police Part 3

Ready for part 3? We left trainee pilot Juno in the back of a gunship flown by officer Radzikowski as they take to the air…

Want to start from Part 1 – here you go!

Juno felt her stomach lurch. That initial moment of the feeling of gravity disappearing always made her feel queasy. It usually passed quickly though. The gunship hovered for a few moments in the still air outside G-Police HQ. Obviously, there were no gunships in the area, they wouldn’t have been cleared for launch if there were. Control was based on the floor 80 of the building and their radar and tracking equipment was the best possible. Juno looked down at the road far below. It always seemed strange that the roads which were built 6 lanes wide, were mainly empty, but of course the widths of the roads where for the benefit of the flying vessels in the air than actual the road traffic. These days the majority of workers commuted by the metropolitan. Road and air vessels were mainly for transportation of food and goods, industrial and city works etc. Some people did have cars, but what was the point? More people had flyers than cars. They went a little lower. Juno could see a couple of delivery trucks for Sandy’s, with their famous logo of the cute, gap toothed kid beaming from the side. That was the biggest supermarket brand and driving their large delivery trucks, goods flyers or transport wagons was just about the only secure these jobs. Sandy’s needed armies of drivers to meet the demand for online shopping. A cousin of Juno’s worked for them and at least three of the people she went to school with now worked for them. Her family had their groceries delivered by Sandy’s, of course. There was a truck from the water company and a couple of trucks coming from the HQ, delivering stores and parts. Apart from that the street was empty. A handful of people were trickling out from the metro station she had exited earlier, which already seemed like a long time ago. 

“What do you think?” asked Radzikowski. 

“It’s great, sir” she answered, not really knowing what to say, and she felt stupid at the childish answer she offered. 

“Let’s get going”, he took the gunship forward, following the course of the streets. Pilots were trained to follow the streets. Mainly because if there was an incident it was more likely they would crash down onto the street. On the other hand there was a risk of flying into the side of a building. It was very rare that G-Police accidents happened, unless the government covered them up, which was always possible. They followed the route to the Gateway to Dome 27. It took about ten minutes. The Gateway was a square hole in the side of a Dome that lead to a tunnel into the next Dome. Traffic was controlled automatically so air and road traffic would take it in turns. The air signals where red so they hovered over an empty lot and the traffic system assigned them a number. Juno watched the Sandy’s trucks coming through the Gateway. There were also vehicles of the street cops and trucks belonging to the power company. Another gunship pulled up alongside them. It was another training ship so it would be one of the her friends. The other two must not have been far behind. As cockpits were usually blacked out she couldn’t tell who it was. Luckily, she resisted the urge to wave. She had to remember she was not here to have fun. 

“Hey, Snyder” said Radzikowski through the comms link. Juno wondered how he knew it was Snyder, as it wasn’t Snyder’s ship. Maybe the way she flew? She felt a bit silly for not knowing. But she would learn these things. 

“How are things with you, Tom?” asked Snyder. Juno felt a little thrill at finding out a bit of Radzikowski’s first name.
 
“Not dead yet, which is good. She doesn’t stop talking though” he deadpanned.

“Maybe we could swap, I think this one’s more suited for IT though” Snyder quipped, laughing very slightly. Juno knew this dig would be a low blow for Mitch. She was already getting a measure on the banter between the pilots. It didn’t fool her; she knew Snyder’s deadly reputation. They had seen several cockpit cam vids from her battles in the battles with Klaxon Corp in Dome 22 last year. The vids were shocking, Klaxon Corp were a corrupt company who had generated millions from money laundering, then when they had been caught, they used illegal battle-drones against the police. The directors of Klaxon Corp had escaped and would be hiding out with new identities somewhere. Snyder had destroyed the most battle drones. Footage from the battles, and of the wreckage from both battle drones and G-Police gunships that covered the streets had made news all over. Mitch was lucky to be with her today. 

The other two training ships pulled up and the pilots exchanged light banter, apart from Mason who was the most serious. They got the signal to go through the tunnel and their ship went first as they had been assigned first spot. The tunnel wasn’t exactly a tight fit but needed careful flying. This was the probably the part of flying that most worried Juno. If you made a mistake and crashed, you would block a Gateway between Domes. There were other Gateways of course, but blocking them would cause major problems in terms of food delivery and service capacity, as well as your own inevitable death.

“It’s just a matter of going slow and steady” It was as if Radzikowski had read her mind as he piloted, “it’s not a race, as long as you’re not going slow enough to park, we don’t care how slow you go.” They emerged into Dome 27 and carefully past the flyers waiting to come the other way. “We’ll wait a minute for the others to come through.” 
When everyone had passed through, the pilots split the Dome into sections to patrol. Radzikowski and Juno went north to the container farms, after calling Control to advise them of their movement. Juno had never been inside Dome 27 before, only through and under in the metro. Not that there was much need to visit here. There were no tower blocks here, no skyscrapers. It was a Dome dedicated to storage and production. There were plants for processing and storing artificial flour. Vast container farms of protein gum were kept here before taking to Sandy’s factories for turning into food. Most precious of all though was the section that acted as overflow storage for the crops grown in Dome 33, the Hydroponics Dome. If production were high, the surplus would be stored here. It was a long way for transport to come, and they required very heavily armed escorts, even more so than the flour transports. Juno guessed that by the end of the week she would take part in an escort of either flour of crops, hopefully doing the flying herself! As it was, storage here required extensive guarding. A good part of G-Police’s funding came from patrolling Dome 27, as the companies paid them to supplement the contracts with private firms, who were obviously not to be trusted. So Dome 27 was the perfect place for training. New pilots could fly around taking part in patrols, and the companies would get free protection. It was a win-win situation, unless the trainee pilot crashed into something valuable of course. 

“Do you often get people trying to steal goods, sir?” asked Juno. 

“Yes” came the answer. “From gangs, rival companies. Sometimes other security firms come to cause problems and start fights, force the food companies to hire them, it’s a total racket. Every so often a rival company to Sandy’s tries to muscle in. On top of which, Sandy’s have no control over the actual crops, so they’re always casting greedy eyes over that, if they could get away with stealing crops for themselves instead of having to buy it they would. Half of what we do in Dome 27 is protecting Sandy’s flour and protein gum from their rivals and the gangs, and half protecting the crops from Sandy’s and all the other companies. It’s a good thing hydroponics is privatised, their security staff is better than the president’s, and you know how paranoid he is” 

By now they had reached the container farms. The huge metal crates were each the size of a storey of a building and arranged into vast racks 10 containers high. Specialised shunters were arranging them and tractors pushed newly arrived containers around on their wagons.  There were cars belonging to Sandy’s hired security firms as well as squad cars belonging to the street cops cruising around the farm. Machine gun turrets stood on intersections. There was a G-Police gunship not far away from them on routine patrol, it had barbed wire decorations, which was a bit cliched, thought Juno. She wondered who the pilot was. 

Suddenly text started scrolling on the bottom part of Juno’s eye monitor. This was backed up by a call which came in from Control. It informed them that a container was being collected at 11.00 and they were to assist the other gunship in guarding the collection, then carry on the patrol in that sector while the other ship followed the container. It seemed a bit impractical sending one ship with just one container, thought Juno, but probably due to the needs of the day. Radzikowski activated the gunships armaments with his gold key. There was a bit of time to kill so they hovered around the collection point and Juno watched as an enormous loader collected one of the containers from a lower level of the farm and deposited it on the ground on a wagon, then a shunter pulled it into position. 

“But how often do things actually happen here?” asked Juno. 

“It depends”, said Radzikowski vaguely, “you can have a week where it never ends, or a week of flying around in circles. Last week some thieves tried to hijack a convoy of flour trucks that were leaving here, it was unguarded, but two of our ships arrived in time. It was Andrews and Cortellezzi. They chased the flyers off and shot them down. Trucks are easier to take than containers of course, but it does happen. Also, rival companies don’t really want the food, they’ll just destroy Sandy’s stocks.” 

This shocked Juno. “But why would anyone just destroy food?” 

“Money of course, shareholders in the other companies don’t have problems eating so what do they care, TWXR would destroy all the protein gum in this dome just to dent Sandy’s share price. 

“That’s sickening” said Juno, “there are food riots going on in Dome 16 right now!” 

“That’s why this work is vital. It’s just as important as the work we do with the drugs squad.” 

At 11.00 a tractor appeared with a security escort. The other gunship pulled in and hovered along side theirs. Juno watched as a worker hooked the tractor to the wagon under the protection of two guards carrying assault rifles. 

“Keep your eyes on what’s happening around you!” barked Radzikowski. It was the first time he had raised his voice and he was right; she’d been idly watching what was going on as if it was on TV. From what she had just learnt it was vital not to be taken by surprise. This would probably be noted in the report on her performance that would be made later. 

The worker climbed back into the tractor and one of the guards got in the cab with him. The tractor was black and armoured and shuddered as the caterpillar tracks got traction to move the heavy container. It chugged into movement and pulled off. It had a security car in front and behind. The other G-Police gunship went ahead to scout the road. Juno watched the area all around them to make sure there would not be a surprise attack from the rear. When the container and escort had disappeared into the distance, she allowed herself to relax a little. “Do you want to get a coffee” asked Radzikowski.  

“Yes sir. But where can we get coffee from here?” replied Juno, wondering how many years it would be before she could get away with calling him Tom. 

“Are you nuts? As if there’s anywhere they won’t sell you coffee. Plus how many security guards do you think are in this Dome at any time, plus cops, loader drivers? We should all be glad no coffee beans are kept in this Dome, they say that’s the hardest thing of all to protect, thefts are attempted everyday.” 

Juno knew that coffee had to be privatised. A few years ago, one coffee company grew so rich and powerful the president of the company, Henry Forrest, had become more influential than the actual president, then demanded to be made exempt from tax. Incensed when this was refused, Forrest hired mercenaries and shady security firms and started a short and ill-advised war with the government. Juno didn’t know how he expected to win that fight, but Dome 7 is now infamous for being the stage of a brutal battle when the police and government corps took him on. Famously, Forrest was torn apart by sniper fire live on TV. Unwilling to risk similar incidents, the government had to buy up the entire coffee business and put strict regulations on it. It had worked out though as now coffee made the state more money than taxation. 
A few blocks away they found a recreation block for cops and guards and of course, a coffee shop. Juno felt silly for not expecting to find one here. She had a lot to learn, really. They parked the gunship in a vacant lot and Radzikowski called Control to advise they were going on a break. They clambered down on the gunship using the awkward metal foot holes.  

“Always remember to lock your gunship” he fixed her in the eyes to enforce he wasn’t joking, “an experienced pilot once left his gunship unlocked and a street gang tried to steal it” He didn’t finish the story, which was frustrating.  

They went into the coffee shop, there were quite a few guards and street cops in there. It was like no coffee shop Juno had ever been in. No one looked at them, but back home if two G-Police pilots entered a coffee shop everyone would stare at them. A few months ago Juno would have been one of the ones gawping. She felt a sudden hit of pride that she really was on the way to being a proper G-Police pilot! They ordered, Radzikowski told her that if she ever ordered Americano in his presence, he’d have her fired. Juno was delighted to find out that G-Police got a 10% discount. 
They drank outside, walking around the lot to stretch their legs. Radzikowski told her to go use the toilet and Juno got a bit angry that the trainees were being treated like school kids on a day trip. Radzikowski tossed his coffee into a bin. It was a good shot. He looked at her. “Ready to fly it now?” ?

Chill out your day: Synthetic Villains presents Obstacle Navigation

Richard J Turner aka Synthetic Villains is back with his second solo album of happy go lucky electro-pop to chill out your day.

Lets’s press play and see what Obstacle Navigation sounds like >>>

‘Arcade’ twitchy drum beats fly behind a day-glo chiptune version of a house riff. Then a bass riff straight from New Order! Oh yeah!

‘Ghostly Shadows’ : look…, that does what it says on the tin. This also has a New Order vibe, kinda ‘Thieves Like Us’-ish. Oh yeah!

‘Computertune’ also does what it says on the tin. Fair play to Richard for his song titles 🙂

‘Panic Attack Kids’ : the circus has come to the village in a SNES RPG, but there be monsters lurking on the horizon…

‘Sunbeam Flyer’ moves up from SNES to Game Boy as an Italian plumber has magic mushrooms and hits on a princess much younger than he is.

‘No Funfair’, yep you guessed it! This is Scooby Doo all the way!

‘Energy Exchange’ : imagine if you will, Three Dimensional Tanx’s ‘I Am Go’ mashed up with a chiptune cover of ‘View To A Kill’.

‘Wander Off, Wondering’ is more Eastern and post-rock, reminiscent of colourhorizon faves E-GONE.

The music of Obstacle Navigation sweeps warmly against you, like memories of innocent times. You can practically imagine the video game that would wrap itself around Richard’s music. It’s time to leave the village and set sail!

https://syntheticvillains.bandcamp.com/album/synthetic-villains

Interview with Richard for the first SV album!

Head to the contents page to find reviews, interviews, articles and much more!

Richard is also guitarist in the amazing Three Dimensional Tanx!