The Lucid Dream – live at The Castle 27.08.2017

Witness the maelstrom: from underneath the Lucid Dream a tangled mass of sweaty flesh heaves, jostles and jumps, undulating and surging. Such a constricted, primordial mess of limbs hasn’t been seen since Michelangelo’s Battle Of Cascina. The wooden floors are creaking and groaning like a galleon in a tempest.

The Lucid Dream are at The Castle, in a special two-of-a-kind gig , acting as a thank you to those who helped their crowdfunding campaign following the theft of all their equipment in Paris. The campaign managed to help them get new equipment and get the band best in the country back on its feet.

The first song of the night is a new one so we’ll tackle that later. The second is ‘Bad Texan’ – that ritualistic call-to-arms. The crowd becomes deranged. The white-knuckle physicality of the music, plus the automatic language spat by Mark stiffens the sinews and encourages all to let-loose and untether themselves from such mortal concerns. Band and crowd achieve blast-off.

‘Unchained Dub’ mellows the room down a little; the luxurious, lugubrious bass reverberating around the room, up spines and out of pores. Heads are nodding, smiles are flashing, hugs are exchanged. It’s all peace and love when The Lucid Dream are in town.

’21st Century’ smashes the room back into action with its gut churning G-force.

‘Nadir’ and ‘Epitaph’ end the night with a monumental, unassailable wall of dance-noise. Strains of post-punk and motorik are cultivated and released into the environment. The crowd is long lost; swimming topsy-turvy in a dark dimension of excess. True exaltation is achieved as people whirl and careen themselves in one with the music.

The ‘encore’ is ‘Mona Lisa’. What else? This is the song that divorced them from the strait jackets of the psych scene and kicked the lad rock crowd into touch. This is the song that ensured Mike’s bass would be the weapon of choice. Operatic and magisterial, this king-groove hangs in the air while the crowd leap for it with sweaty palms.

The night ends, people try to recover.

The three new tracks tonight shine a light on the next album. They’re 90s dance inspired but fed through their intrinsic devotion to heavy groove and noise. These new songs are temples on which to shed your skin and become born anew. When you have the dazzling prospect of Luke’s drums versus a drum machine, the hypothetical notion of this battle alone will bring you out in sweats.

The key to their success is the fact that The Lucid Dream play a diamond midfield. At the front of the diamond is Mike; Peter Hook and Jah Wobble rolled into one. He stands at the front of the stage and enjoys a Lucid Dream gig as the much as the crowd do.

The most incredible thing about the Lucid Dream is that every time you see them they blow you away and you walk away convinced that the next time they couldn’t possible top what you’ve just seen. They do, every time. They keep forging ahead in new directions and each inroad into new territory yields results that music has been waiting for.

Compulsion Songs is available to buy right now.


* You won’t see Michelangelo’s Battle Of Cascina mentioned in Louder Than War…


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